Showing Records: 81 - 100 of 189
Holdup / Godard, Keith ; Williams, Emmett., 1980
The book depicts black and white photographs of fingers and thumbs from different individuals on each page that increase in number as the story progresses. Each digit engages in brief conversations about voyeurism. -- Source of annotation: Marvin or Ruth Sackner.
Holdup / Godard, Keith ; Williams, Emmett., 1980
The book depicts black and white photographs of fingers and thumbs from different individuals on each page that increase in number as the story progresses. Each digit engages in brief conversations about voyeurism. -- Source of annotation: Marvin or Ruth Sackner.
Holdup / Godard, Keith ; Williams, Emmett., 1980
The book depicts black and white photographs of fingers and thumbs from different individuals on each page that increase in number as the story progresses. Each digit engages in brief conversations about voyeurism. -- Source of annotation: Marvin or Ruth Sackner.
Hommage An Emmett Williams / Williams, Emmett ; Rosemarie E. Pahlke, curator ; Horst Spankus, curator ; Nils Schwichtenberg, curator ; Patterson B ; Wasmuth T ; Saito T ; Olbrich JO ; Corner P ; Iannone D ; Ruhe H ; Konig K ; Frei A ; Block F ; Mayer HJ., 2005
This copy is from the unsigned edition = 50 copies were signed and numbered. Works by Emmett Williams depicted in this catalogue that are also held by the Sackner Archive include Alphabet Square (1956/83), she loves me from Mayer's concrete poetry, britain, canada united states, An Opera(1960/1987), Mat Mot No.6 (1965), Shakespeares XXC TH (1979), and La Dernier Pomme Frite (1989). -- Source of annotation: Marvin or Ruth Sackner.
In the Changing Poetry, It's the Abstract in "Concrete" Form / Davis, Douglas M.; Williams E; Gomringer E; Bremer C; Dohl R; Giorno J; Gross R., 1967
In the Spirit of Fluxus / Elizabeth Armstrong, curator ; Joan Rothfass, curator ; Williams E ; Brecht G ; Buczak B ; Cage J ; Hansen A ; Higgins D ; Knowles A ; Kosugi T ; Ono Y ; Paik NJ ; Maciunas G ; Patterson B ; Sharits P ; Shiomi M ; Schneemann C ; Ben ; Vostell W ; Watts R ; Young L ; Roth D ; Fine AM., 1993
This copy was especially signed for the Sackners on their birthdays. -- Source of annotation: Marvin or Ruth Sackner.
International Wettbewerb fur Copy-Art, 3 / Olbrich JO ; Hainke W ; Williams E ; Baroni V., 1998
Jurgen Olbrich served as a juror for this exhibition that was a competition for copy-art. -- Source of annotation: Marvin or Ruth Sackner.
Internationaler Wettbewerb fur Copy-Art / Olbrich, Jurgen O., editor; Baroni V; Hainke W; Monro N; Richter C; Williams E; Loock I., 1998
konkrete poesie international / Max Bense, curator ; Finlay IH ; Steen V ; Williams E ; Greenham P ; Novak L ; Hirsal J ; Grogerova B ; DeVree P ; Goeritz M ; Belloli C ; Gomringer E ; Ruhm G ; DeCampos H ; Grunewald JL ; Mon F ; Pignatari D ; Dohl R ; Ulrichs T ; Schauffelen KB ; Bense M., 1966
Max Bense contributed a two page critical essay. Each page depicts a single poem. -- Source of annotation: Marvin or Ruth Sackner.
Konkrete Poesie Macht Mundig / Anonymous; Bremer C; Jandl E; Solt ME; Williams E; Gomringer E; Dencker KP; Ruhm G; Finlay IH; Heissenbuttel H., 1974
Konkrete/Visuelle Poesie / Armin Hundertmark, curator ; Chopin H ; Gappmayr H ; Williams E ; Valoch J ; Schauffelen KB ; Roth D ; Lax R ; Kolar J ; Heidsieck B ; Hansen A ; Knowles A ; Schmit T ; Shiomi C ; Tot E ; Gomringer E ; Gosewitz L., 1992
Ksiazka i co Dalej / Rainer Verlag ; Williams E ; Noel A ; Artmann HC ; Bohmler C ; Brehmer KP ; Castro L ; Czurda E ; VanEgten H ; Eisendle H ; Ernst M ; Falk G ; Girke R ; Gosewitz L ; Hendricks G ; Huckauf P ; Iannone D ; Jandl E ; Lakner L ; Mayer HJ ; Mayrocker F ; Mields R ; Pastior O ; Penck A ; Raetz M ; Rainer A ; Rosz M ; Roth D ; Ruhm G ; Schauffelen KB ; Schuldt ; Stomps V ; Tippel A ; Valoch J ; Ben ; Voss J ; Zaugg R ; Zimmer B., 1990
This was an exhibition of Ranier Verlag's publications 1966-1989. -- Source of annotation: Marvin or Ruth Sackner.
Kunstler-Editionen / Ay-O ; Schauffelen KB ; Williams E., 1994
Learn to Read Art: Artists' Books / Williams E ; Andre C ; Knowles A ; Carrion U ; Nannucci M ; Lyons J ; Zellen J ; Katz L ; Smith K ; Zelevansky P ; Zweig J ; Spector B ; Banana A ; Smith K ; Mabe J ; Caruso B ; Ball N ; Nichol bp ; Ehrenberg F ; Alatalo S., 1991
Curated by Wendy Woon. Nancy Tousley contributed an essay tracing the history of artists' books in Canada and the United States. Felipe Ehrenberg's essay describes his work as a book artist in England and Mexico. -- Source of annotation: Marvin or Ruth Sackner.
L'espace-temps dans la poesie semiotique / Edeline, Francis; Carroll L; Belsey A; Hirsal J; Williams E; Sabatier R; Pinto LA; Mayer P; Furnival J; Sa N; Pignatari D; Finlay IH; Azeredo R; Houedard DS; DeSa A., 1990
This article was reprinted from Word & Image Interactions 2, edited by Heusser, Cluver, Hoek and Weingarden. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Emmett Williams] / Engel, Jules; Williams E., 1972
The letter deals with Engel's poem OH. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Emmett Williams] / Friedman, Ken; Williams E., 1985
This letter that is written to Emmett Williams mentions enclosure of "A Logic of Clouds" number 1 - 5 expects Williams opinion. -- Source of annotation: Marvin or Ruth Sackner.
[Letter to Emmett Williams (July 17 1968] / Merton, Thomas; Williams E; Bense M; MacLow J; Roth D; Lax R., 1968
The letterhead is Monks Pond. Merton writes Emmett Williams that "All the things you are making happen sound good. Or helping make happen. Yes, visual poetry. I'd like to see that exhibit in Minneapolis. When will it be?" He continues, "I'm starting on some visual stuff. Hasn't loosened up yet but I think it will start to break soon. If only we had some more type here and the monastery printer had more time we could really do something about it." In a postscript, Merton adds a handwritten request, "Could I see a copy of the Bense reader? Looks interesting. Also the MacLow stanzas, as I am doing some, that - & Dieter Rot. Your catalog is very good. Only interesting one I've seen in a long time. -- Source of annotation: Marvin or Ruth Sackner.